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Abstract Acrylic Print featuring the painting Humanity - Part I by Willy Wiedmann

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Humanity - Part I Acrylic Print

Willy Wiedmann

by Willy Wiedmann

$190.00

Product Details

Humanity - Part I acrylic print by Willy Wiedmann.   Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.

Design Details

'Humanity - Part I' is a 3 piece polyptych.... more

Ships Within

3 - 4 business days

Additional Products

Humanity - Part I Painting by Willy Wiedmann

Painting

Humanity - Part I Canvas Print

Canvas Print

Humanity - Part I Framed Print

Framed Print

Humanity - Part I Art Print

Art Print

Humanity - Part I Poster

Poster

Humanity - Part I Metal Print

Metal Print

Humanity - Part I Acrylic Print

Acrylic Print

Humanity - Part I Wood Print

Wood Print

Humanity - Part I Greeting Card

Greeting Card

Humanity - Part I iPhone Case

iPhone Case

Humanity - Part I Throw Pillow

Throw Pillow

Humanity - Part I Duvet Cover

Duvet Cover

Humanity - Part I Shower Curtain

Shower Curtain

Humanity - Part I Tote Bag

Tote Bag

Humanity - Part I Round Beach Towel

Round Beach Towel

Humanity - Part I Zip Pouch

Zip Pouch

Humanity - Part I Beach Towel

Beach Towel

Humanity - Part I Weekender Tote Bag

Weekender Tote Bag

Humanity - Part I Bath Towel

Bath Towel

Humanity - Part I T-Shirt

Apparel

Acrylic Print Tags

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Painting Tags

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Artist's Description

'Humanity - Part I' is a 3 piece polyptych.

Willy Wiedmann created his Polycon Painting Style in the 60s. The term 'polycon' is derived from the greek words polys 'multiple' and ikon 'picture' or 'board'. The Polycon painting as defined by Wiedmann is a multi picture and multicolor painting.
Typical for Polycon paintings is the composition of geometric forms which overlap, intertwine or complement each other. The different constructs create pictures that create pictures themselves, and so forth. The principle could be performed ad infinitum. Wiedmann worked with 45 and 90 degree angles. He also implemented in his works his musical background by placing the forms in a changing rhythm.
The Polycon Symphonies are a perfect example for his arrangement of colors and forms in correlation with eternity.

 

$190.00

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