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Abstract Tote Bag featuring the painting Lugano See - Part I by Willy Wiedmann

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Lugano See - Part I Tote Bag

Willy Wiedmann

by Willy Wiedmann

$26.00

Size

Image Size

 
 

Product Details

Purchase a tote bag featuring the painting "Lugano See - Part I" by Willy Wiedmann.   Our tote bags are made from soft, durable, poly-poplin fabric and include a 1" black strap for easy carrying on your shoulder.   All seams are double-stitched for added durability.   Each tote bag is machine-washable in cold water and is printed on both sides using the same image.

Design Details

'Lugano See - Part I' is a 2 piece polyptych.... more

Ships Within

2 - 3 business days

Additional Products

Lugano See - Part I Painting by Willy Wiedmann

Painting

Lugano See - Part I Canvas Print

Canvas Print

Lugano See - Part I Framed Print

Framed Print

Lugano See - Part I Art Print

Art Print

Lugano See - Part I Poster

Poster

Lugano See - Part I Metal Print

Metal Print

Lugano See - Part I Acrylic Print

Acrylic Print

Lugano See - Part I Wood Print

Wood Print

Lugano See - Part I Greeting Card

Greeting Card

Lugano See - Part I iPhone Case

iPhone Case

Lugano See - Part I Throw Pillow

Throw Pillow

Lugano See - Part I Shower Curtain

Shower Curtain

Lugano See - Part I Tote Bag

Tote Bag

Lugano See - Part I Round Beach Towel

Round Beach Towel

Lugano See - Part I Zip Pouch

Zip Pouch

Lugano See - Part I Beach Towel

Beach Towel

Lugano See - Part I Weekender Tote Bag

Weekender Tote Bag

Lugano See - Part I Bath Towel

Bath Towel

Lugano See - Part I T-Shirt

Apparel

Tote Bag Tags

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Painting Tags

paintings abstract paintings colourful paintings colorful paintings

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Artist's Description

'Lugano See - Part I' is a 2 piece polyptych.

Willy Wiedmann created his Polycon Painting Style in the 60s. The term 'polycon' is derived from the greek words polys 'multiple' and ikon 'picture' or 'board'. The Polycon painting as defined by Wiedmann is a multi picture and multicolor painting.
Typical for Polycon paintings is the composition of geometric forms which overlap, intertwine or complement each other. The different constructs create pictures that create pictures themselves, and so forth. The principle could be performed ad infinitum. Wiedmann worked with 45 and 90 degree angles. He also implemented in his works his musical background by placing the forms in a changing rhythm.
The Polycon Symphonies are a perfect example for his arrangement of colors and forms in correlation with eternity.

 

$26.00